This work wants to establish a connection between the works belonging to the last part of Federico Garcia Lorca’s poetic trajectory (Poeta en Nueva York, Diván del Tamarit, Sonetos del amor oscuro) and Leopoldo María Panero’s texts. This relationship will be further deepened in particular regarding the use of the surrealist dream in the poems written by both authors, starting from a definition of this specific type of oneiric world. Therefore, this study will first define the relationship between both authors and the avant-garde movement, then it will analyse the use of the dream in their texts. Lastly, these two aspects of their poetic figures will be compared with one another, establishing the points in common between the individual and Surrealism and the differences caused by their styles and personal ideologies. In conclusion, the existence of a continuum in the use of the same oneiric space between its surrealist origins, Lorca’s modulation and Panero’s interpretation will be proposed.
Este trabajo quiere establecer una conexión entre los trabajos de la última parte de la trayectoria poética de Federico García Lorca (Poeta en Nueva York, Diván del Tamarit, Sonetos del amor oscuro) y las obras de Leopoldo María Panero. Esta relación profundizará en particular el uso del sueño surrealista en los poemas escritos por los dos autores, empezando por una definición de este tipo específico de mundo onírico. La investigación, por lo tanto, primero definirá la relación entre ambos autores y el movimiento de vanguardia, luego analizará el uso del sueño en sus textos. Por último, se compararán estos dos aspectos de sus figuras poéticas, estableciendo los puntos en común entre individuos y surrealismo y las diferencias debidas a los estilos y las ideologías personales. En conclusión, se propondrá la existencia de un continuum entre el origen surrealista, la modulación lorquiana y la interpretación paneriana del mismo espacio onírico.
El sueño surrealista: propuesta de una continuidad de uso entre Federico García Lorca y Leopoldo María Panero
ZUCCHETTI, JONATHAN
2024/2025
Abstract
This work wants to establish a connection between the works belonging to the last part of Federico Garcia Lorca’s poetic trajectory (Poeta en Nueva York, Diván del Tamarit, Sonetos del amor oscuro) and Leopoldo María Panero’s texts. This relationship will be further deepened in particular regarding the use of the surrealist dream in the poems written by both authors, starting from a definition of this specific type of oneiric world. Therefore, this study will first define the relationship between both authors and the avant-garde movement, then it will analyse the use of the dream in their texts. Lastly, these two aspects of their poetic figures will be compared with one another, establishing the points in common between the individual and Surrealism and the differences caused by their styles and personal ideologies. In conclusion, the existence of a continuum in the use of the same oneiric space between its surrealist origins, Lorca’s modulation and Panero’s interpretation will be proposed.| File | Dimensione | Formato | |
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El sueño surrealista propuesta de una continuidad de uso entre Federico García Lorca y Leopoldo María Panero.pdf
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https://hdl.handle.net/20.500.12608/101306