Digital Repatriation of Collections: Discussing the Limits of Expanding Institutional Access. An Examination of Three Case Studies of Cultural Heritage held by the British Museum

Museums are facing a transformative challenge in the digital age, as they strive to maintain relevance and accessibility while also addressing pressing concerns regarding repatriation. The advent of digital technologies has ushered in new opportunities for museums to engage global audiences, offering virtual access to their collections and fostering educational outreach. However, this digital evolution comes hand-in-hand with intensified scrutiny and calls for repatriation of cultural heritage to their places of origin. Museums must navigate this delicate balancing act, leveraging digital tools to broaden access while actively engaging in dialogues and actions that respect the rightful claims of communities seeking repatriation. This discussion explores the idea of digital repatriation, comparing it to physical repatriation and illuminating the disparities between the two, as well as addressing issues related to access and the digital divide. The focal point of this study is the British Museum, in which three cases of cultural heritage held by the museum will be examined: the Benin Bronzes, the Rosetta Stone, and the Elgin Marbles. This study contributes to the ongoing discourse on the intersection of digitization, access, and cultural heritage, shedding light on the intricate balance museums must strike in navigating these complex issues.