Reimagining Shakespeare: A comparative study of Shakespearean restoration in Garrick and Capell's adaptation of Antony and Cleopatra

This dissertation explores the differences between William Shakespeare's Antony and Cleopatra and the 1759 adaptation by Edward Capell and David Garrick. The investigation is divided in four sections, each looking at different parts of this theatrical evolution. The first chapter sets the stage by delving into the Restoration period, offering a historical and theatrical backdrop within which David Garrick thrived. Insight into Garrick's life provides a foundation for understanding his role in shaping the theatrical landscape of the eighteenth century. The second chapter examines the mechanics of Shakespearean adaptation undertaken by Garrick during this era. Focused on the eighteenth century, this section dissects the operational intricacies employed by Garrick to adapt Shakespeare's works for contemporary audiences, shedding light on the cultural and theatrical transformations of the time. The third chapter is devoted to the analysis of the differences between Shakespeare's original text of Antony and Cleopatra and the collaborative adaptation by Capell and Garrick. Through an examination of textual variations, performance choices, and unique elements introduced by Capell, this section unveils the distinctive features that distinguish the adapted version from its source material. The fourth chapter takes a panoramic view, interweaving the Shakespeare Jubilee of Stratford organised by Garrick with his operation of Shakespearean adaptation for the eighteenth century audience. This chapter explores the relationship between the cultural celebration of Shakespeare and the specific adaptation undertaken by Garrick and Capell, shedding light on the broader impact of their collaborative efforts.