This study presents a comparative analysis of the implementation and adaptation of the Orff approach within primary education systems in China and Italy. Using a qualitative methodology that combines document analysis, case studies, and comparative research, it investigates how Orff-Schulwerk is integrated into distinct cultural, institutional, and pedagogical frameworks. The research highlights shared educational principles—such as experiential learning and the use of simple instruments—while also addressing significant divergences related to teacher training, curriculum design, and policy environments. Structural challenges encountered in both countries are examined critically, and the thesis concludes by proposing reflections and strategic directions for potential transnational collaboration in music education.
La presente ricerca analizza comparativamente l'applicazione e l'adattamento del metodo Orff nei sistemi educativi primari di Cina e Italia. Attraverso un approccio qualitativo che integra l'analisi documentaria, lo studio comparativo e l’osservazione di casi concreti, si indagano le diverse modalità di integrazione dell'Orff-Schulwerk nei rispettivi contesti culturali, istituzionali e pedagogici. Il lavoro evidenzia le affinità nei principi educativi, come l'apprendimento esperienziale e l'uso di strumenti semplici, ma anche le divergenze legate alla formazione degli insegnanti, alle politiche scolastiche e alla struttura curricolare. La tesi mette in luce le sfide strutturali affrontate nei due Paesi, proponendo infine riflessioni critiche e indicazioni per una possibile cooperazione transnazionale nell’educazione musicale.
Il sistema educativo musicale in Europa - specialmente in Italia - e in Cina: uno studio comparato sull'introduzione del metodo Orff-Schulwerk
BAO, YIXIN
2024/2025
Abstract
This study presents a comparative analysis of the implementation and adaptation of the Orff approach within primary education systems in China and Italy. Using a qualitative methodology that combines document analysis, case studies, and comparative research, it investigates how Orff-Schulwerk is integrated into distinct cultural, institutional, and pedagogical frameworks. The research highlights shared educational principles—such as experiential learning and the use of simple instruments—while also addressing significant divergences related to teacher training, curriculum design, and policy environments. Structural challenges encountered in both countries are examined critically, and the thesis concludes by proposing reflections and strategic directions for potential transnational collaboration in music education.| File | Dimensione | Formato | |
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BAO_YIXIN_2089872.pdf
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https://hdl.handle.net/20.500.12608/90595