In a context of theatrical renewal, in which groups such as the Living Theatre, the Open Theatre and the Bread and Puppet experiment with improvisation, audience participation and contaminations with the visual arts, Giuliano Scabia is formed, the multifaceted author who fuses poetry, myth and social commitment, proposing a theater of community and transformation. Between 1971 and 1976 Giuliano Scabia developed innovative theatrical practices that intertwined art, pedagogy and civil commitment. Projects such as Quattordici Azioni per Quattordici Giorni, Forse un Drago Nascerà, Marco Cavallo e Il Gorilla Quadrumàno experiment with the schema vuoto, community theater and rooting in the territories, transforming contemporary theater into a space of knowledge, community participation and creative innovation. The experience of a theater workshop inspired by the schema vuoto, aimed at beginner foreign adults, integrated theory and practice, stimulating creativity, socialization and collaboration, reducing affective filters and favoring language acquisition. The activity demonstrated the effectiveness of theatre as a tool for inclusion and personal growth.
In un contesto di rinnovamento teatrale in cui gruppi come il Living Theatre, l’Open Theatre e il Bread and Puppet sperimentano l’improvvisazione, la partecipazione del pubblico e le contaminazioni con le arti visive, si forma Giuliano Scabia, l’autore poliedrico che fonde la poesia, il mito e l’impegno sociale, proponendo un teatro di comunità e trasformazione. Tra il 1971 e il 1976 Giuliano Scabia elabora pratiche teatrali innovative che intrecciano l’arte, la pedagogia e l’impegno civile. Progetti come Quattordici Azioni per Quattordici Giorni, Forse un Drago Nascerà, Marco Cavallo e Il Gorilla Quadrumàno sperimentano lo schema vuoto, il teatro di comunità e il radicamento nei territori, trasformando il teatro contemporaneo in uno spazio di conoscenza, di partecipazione comunitaria e di innovazione creativa. L’esperienza di un laboratorio teatrale ispirato allo schema vuoto, rivolto ad adulti stranieri principianti, ha integrato teoria e pratica, stimolando la creatività, la socializzazione e la collaborazione, riducendo i filtri affettivi e favorendo l’acquisizione linguistica. L’attività ha dimostrato l’efficacia del teatro come strumento di inclusione e crescita personale.
L'eredità teatrale di Giuliano Scabia e l'educazione linguistica degli stranieri
BARBAZZA, DONELLA
2024/2025
Abstract
In a context of theatrical renewal, in which groups such as the Living Theatre, the Open Theatre and the Bread and Puppet experiment with improvisation, audience participation and contaminations with the visual arts, Giuliano Scabia is formed, the multifaceted author who fuses poetry, myth and social commitment, proposing a theater of community and transformation. Between 1971 and 1976 Giuliano Scabia developed innovative theatrical practices that intertwined art, pedagogy and civil commitment. Projects such as Quattordici Azioni per Quattordici Giorni, Forse un Drago Nascerà, Marco Cavallo e Il Gorilla Quadrumàno experiment with the schema vuoto, community theater and rooting in the territories, transforming contemporary theater into a space of knowledge, community participation and creative innovation. The experience of a theater workshop inspired by the schema vuoto, aimed at beginner foreign adults, integrated theory and practice, stimulating creativity, socialization and collaboration, reducing affective filters and favoring language acquisition. The activity demonstrated the effectiveness of theatre as a tool for inclusion and personal growth.| File | Dimensione | Formato | |
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https://hdl.handle.net/20.500.12608/101473