The thesis concerns the activity and the curatorial method of Harald Szeemann, focusing mainly on the exhibition "Live in your head. When Attitudes Become Form" which took place in 1969 at the Kunsthalle of Bern and its value for contemporary art history and the history of curating. The third chapter is centered around contemporary art exhibition re enacting and deals with the case study of the remake of "When Attitudes Become Form Bern 1969/Venice 2013" which was held in 2013 at Fondazione Prada in Ca' Corner della Regina Palace in Venice and was curated by Germano Celant.
La tesi tratta l'attività e il metodo del curatore Harald Szeemann soffermandosi in particolare sulla mostra svoltasi nel 1969 presso la Kunsthalle di Berna "Live in your head. When Attitudes Become Form " e sul suo valore per la storia dell'arte e della curatela. Il terzo capitolo si concentra sulla pratica del re enacting di mostre artistiche contemporanee ed è focalizzato su un caso di studio che riguarda il remake "When Attitudes Become Form Bern 1969/Venice 2013" svoltasi nel 2013 presso Fondazione Prada a Palazzo Ca' Corner della Regina a Venezia a cura di Germano Celant.
Harald Szeemann e il mito del curatore: When Attitudes Become Form e un caso di re enacting
BERNO, EVA
2022/2023
Abstract
The thesis concerns the activity and the curatorial method of Harald Szeemann, focusing mainly on the exhibition "Live in your head. When Attitudes Become Form" which took place in 1969 at the Kunsthalle of Bern and its value for contemporary art history and the history of curating. The third chapter is centered around contemporary art exhibition re enacting and deals with the case study of the remake of "When Attitudes Become Form Bern 1969/Venice 2013" which was held in 2013 at Fondazione Prada in Ca' Corner della Regina Palace in Venice and was curated by Germano Celant.File | Dimensione | Formato | |
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https://hdl.handle.net/20.500.12608/54342