In the nineteenth century K. Stumpf proposed tonal fusion as the main cause of consonance in music. Many theories have been proposed after his contribution, and still the phenomenon has to be entirely explained. Considering past evidence and divergent theories, in this dissertation an experimental approach is applied to the two phenomena. The aim is to explore the possible relationship between tonal fusion and consonance.
In the nineteenth century K. Stumpf proposed tonal fusion as the main cause of consonance in music. Many theories have been proposed after his contribution, and still the phenomenon has to be entirely explained. Considering past evidence and divergent theories, in this dissertation an experimental approach is applied to the two phenomena. The aim is to explore the possible relationship between tonal fusion and consonance.
Exploring the relationship between music consonance and tonal fusion
LEVORIN, MARIA GIULIA
2022/2023
Abstract
In the nineteenth century K. Stumpf proposed tonal fusion as the main cause of consonance in music. Many theories have been proposed after his contribution, and still the phenomenon has to be entirely explained. Considering past evidence and divergent theories, in this dissertation an experimental approach is applied to the two phenomena. The aim is to explore the possible relationship between tonal fusion and consonance.| File | Dimensione | Formato | |
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https://hdl.handle.net/20.500.12608/58062