The aim of this work is a practical edition, with the written realization of the continuous bass, of the first six sonatas of the op. I by Giuseppe Tartini, based on the edition published in Amsterdam in 1734 by Michel-Charles Le Cène. The structural, formal, compositional and harmonic characteristics of the continuous bass are analysed, with particular attention to its musical, stylistic and compositional traits in relation to the violin part.
Il presente lavoro ha come scopo un’edizione pratica, con la realizzazione scritta del basso continuo, delle prime sei sonate dell'op. I di Giuseppe Tartini, sulla base dell’edizione pubblicata ad Amsterdam nel 1734 da Michel-Charles Le Cène. Sono analizzate le caratteristiche strutturali, formali, compositive ed armoniche del basso continuo, con particolare attenzione ai tratti musicali, stilistici e compositivi dello stesso in relazione alla parte del violino.
Per un’edizione pratica delle Sonate op. I di Giuseppe Tartini (sonate 1-6)
BALLARIN, SONIA
2023/2024
Abstract
The aim of this work is a practical edition, with the written realization of the continuous bass, of the first six sonatas of the op. I by Giuseppe Tartini, based on the edition published in Amsterdam in 1734 by Michel-Charles Le Cène. The structural, formal, compositional and harmonic characteristics of the continuous bass are analysed, with particular attention to its musical, stylistic and compositional traits in relation to the violin part.File | Dimensione | Formato | |
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Ballarin_Sonia.pdf
accesso riservato
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5.04 MB
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Adobe PDF
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5.04 MB | Adobe PDF |
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https://hdl.handle.net/20.500.12608/63414