The primary objective of this thesis is to explore the interplay of literature and visual arts in shaping the Chicana narrative, thus with a specific focus on women’s cultural impact. The analysis is guided by Gloria Anzaldúa’s major work Borderlands/La Frontera: The New Mestiza, and subsequently extends to the examination of visual artworks created by selected female artists. Precisely, the foundations of the Chicana identity are introduced by discussing the historical context of the Borderlands, the rise of the Chicano movement, and the artistic dimension of El Movimiento. Furthermore, this dissertation develops and interdisciplinary discourse on cultural identity and expression through the key concepts of Nepantla, linguistic heritage, and spiritual tradition. Moreover, the sphere of social dynamics and advocacy is considered by means of comparison between literary and artistic production. In light of this, the themes of feminism, artivism and intersectionality emerge, so as to complete the research. The hybrid method employed aims to present the Chicana society via a comprehensive interpretation, structured on the central domains of identity. Indeed, the final purpose of this study is to stimulate authentic interest in the unique experiences of Chicanas and Chicanos.

The primary objective of this thesis is to explore the interplay of literature and visual arts in shaping the Chicana narrative, thus with a specific focus on women’s cultural impact. The analysis is guided by Gloria Anzaldúa’s major work Borderlands/La Frontera: The New Mestiza, and subsequently extends to the examination of visual artworks created by selected female artists. Precisely, the foundations of the Chicana identity are introduced by discussing the historical context of the Borderlands, the rise of the Chicano movement, and the artistic dimension of El Movimiento. Furthermore, this dissertation develops and interdisciplinary discourse on cultural identity and expression through the key concepts of Nepantla, linguistic heritage, and spiritual tradition. Moreover, the sphere of social dynamics and advocacy is considered by means of comparison between literary and artistic production. In light of this, the themes of feminism, artivism and intersectionality emerge, so as to complete the research. The hybrid method employed aims to present the Chicana society via a comprehensive interpretation, structured on the central domains of identity. Indeed, the final purpose of this study is to stimulate authentic interest in the unique experiences of Chicanas and Chicanos.

"I will overcome the tradition of silence": The Construction of the Chicana Narrative through Cultural Expression

MAURO, GIULIA
2023/2024

Abstract

The primary objective of this thesis is to explore the interplay of literature and visual arts in shaping the Chicana narrative, thus with a specific focus on women’s cultural impact. The analysis is guided by Gloria Anzaldúa’s major work Borderlands/La Frontera: The New Mestiza, and subsequently extends to the examination of visual artworks created by selected female artists. Precisely, the foundations of the Chicana identity are introduced by discussing the historical context of the Borderlands, the rise of the Chicano movement, and the artistic dimension of El Movimiento. Furthermore, this dissertation develops and interdisciplinary discourse on cultural identity and expression through the key concepts of Nepantla, linguistic heritage, and spiritual tradition. Moreover, the sphere of social dynamics and advocacy is considered by means of comparison between literary and artistic production. In light of this, the themes of feminism, artivism and intersectionality emerge, so as to complete the research. The hybrid method employed aims to present the Chicana society via a comprehensive interpretation, structured on the central domains of identity. Indeed, the final purpose of this study is to stimulate authentic interest in the unique experiences of Chicanas and Chicanos.
2023
"I will overcome the tradition of silence": The Construction of the Chicana Narrative through Cultural Expression
The primary objective of this thesis is to explore the interplay of literature and visual arts in shaping the Chicana narrative, thus with a specific focus on women’s cultural impact. The analysis is guided by Gloria Anzaldúa’s major work Borderlands/La Frontera: The New Mestiza, and subsequently extends to the examination of visual artworks created by selected female artists. Precisely, the foundations of the Chicana identity are introduced by discussing the historical context of the Borderlands, the rise of the Chicano movement, and the artistic dimension of El Movimiento. Furthermore, this dissertation develops and interdisciplinary discourse on cultural identity and expression through the key concepts of Nepantla, linguistic heritage, and spiritual tradition. Moreover, the sphere of social dynamics and advocacy is considered by means of comparison between literary and artistic production. In light of this, the themes of feminism, artivism and intersectionality emerge, so as to complete the research. The hybrid method employed aims to present the Chicana society via a comprehensive interpretation, structured on the central domains of identity. Indeed, the final purpose of this study is to stimulate authentic interest in the unique experiences of Chicanas and Chicanos.
Chicana literature
Chicana art
Borderlands
El Movimiento
Cultural Expression
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.12608/74148