Nation and Narration: The Representation of Kurdish identity in Contemporary Media

Abstract The purpose of the thesis is to examine how Kurdish identity is portrayed across various media platforms and the artists representing Kurdish identity in the context of national identity and narrative. By analyzing these representations, the thesis aims to uncover the ways in which narratives construct and influence the perception of Kurdish identity. This involves exploring the historical and socio-political contexts that shape these portrayals, as well as the impact of digital and international media on public understanding of Kurdish issues. In this thesis, understanding Kurdish identity and media portrayals is crucial for several reasons. It helps in recognizing the power of media in constructing public perceptions and potentially perpetuating stereotypes or biases. This is particularly significant for the Kurdish people, who have historically faced challenges in asserting their identity and rights within the geopolitical landscapes of the Middle East. Moreover, it highlights the role of contemporary media in either reinforcing or challenging existing power structures, thus offering a critical perspective on the potential for media to act as a tool for social change. In summary, the thesis is important because it not only enhances the understanding of Kurdish identity in media but also contributes to broader discussions on the impact of media representations on marginalized communities and their socio-political implications. Thesis’ findings could illuminate how media narratives shape public perceptions of Kurdish identity, potentially influencing social and political attitudes towards Kurdish communities. This understanding could be crucial for media practitioners and policymakers aiming to foster more inclusive and accurate representations. It offers insights into the role of media in either reinforcing or challenging stereotypes about Kurdish people. Such insights could be valuable for advocacy groups working to promote the rights and recognition of Kurdish communities, as they could inform strategies for media engagement and public education. Additionally, the thesis could contribute to academic discussions on identity politics and media studies, encouraging further exploration of how media can be used as a tool for social change, particularly for marginalized groups. In summary, the implications of this thesis could be significant for Kurdish community regarding artists, media representation, policy-making, advocacy, and academic research, ultimately contributing to a more nuanced understanding of Kurdish identity in contemporary media.