The following thesis will focus on the theme of Digital Acting in Motion Capture and how this technology has transformed the work of the actor within the film scene. In these three chapters, a reflection will be made on acting for Motion Capture and the relationship between the work of the actor and that of the animator, Trying to shed light on the new skills required and questions about the authorship of the character created with this technology. It will also be examined how Performance Capture has changed the criteria of casting and whether it has managed to break away from historical and cultural contexts.
La seguente tesi verterà sul tema del Digital Acting nella Motion Capture e di come questa tecnologia abbia trasformato il lavoro dell’attore all'interno del panorama cinematografico. In questi tre capitoli verrà fatta una riflessione sulla recitazione per Motion Capture e della relazione tra il lavoro dell’attore e quello dell’animatore, cercando di far luce sulle nuove competenze richieste e le domande riguardo l’autorialità del personaggio creato con suddetta tecnologia. Inoltre verrà approfondito come la Performance Capture abbia modificato i criteri dei casting attoriali e se è riuscita a svincolarsi dai contesti storici e culturali.
Il Digital acting nella Motion Capture
ORIGGI, VALENTINA
2024/2025
Abstract
The following thesis will focus on the theme of Digital Acting in Motion Capture and how this technology has transformed the work of the actor within the film scene. In these three chapters, a reflection will be made on acting for Motion Capture and the relationship between the work of the actor and that of the animator, Trying to shed light on the new skills required and questions about the authorship of the character created with this technology. It will also be examined how Performance Capture has changed the criteria of casting and whether it has managed to break away from historical and cultural contexts.File | Dimensione | Formato | |
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https://hdl.handle.net/20.500.12608/81761