Fixational eye movements are still not fully understood in regards of how they influence visual perception. This thesis examines the role of fixational eye-movements, especially Microsaccades, in the perception of Op Art, a genre of visual art which applies the effects of high-contrast and geometric patterns to create the illusion of movement, depth, or other visual effects. Based on eye-tracking evidence, this paper explores the importance of involuntary oculomotor activity in the visual perception of illusions in Op-Art, and emphasizes the active role of the visual system in illusory perception, providing a trans-disciplinary insight into how science and art interact in affecting the viewer’s experience.
Fixational eye movements are still not fully understood in regards of how they influence visual perception. This thesis examines the role of fixational eye-movements, especially Microsaccades, in the perception of Op Art, a genre of visual art which applies the effects of high-contrast and geometric patterns to create the illusion of movement, depth, or other visual effects. Based on eye-tracking evidence, this paper explores the importance of involuntary oculomotor activity in the visual perception of illusions in Op-Art, and emphasizes the active role of the visual system in illusory perception, providing a trans-disciplinary insight into how science and art interact in affecting the viewer’s experience.
The Role of Fixational Eye Movements in Perceptual Experience of Op Art
WIERZBOWSKA, AMELIA ZOFIA
2024/2025
Abstract
Fixational eye movements are still not fully understood in regards of how they influence visual perception. This thesis examines the role of fixational eye-movements, especially Microsaccades, in the perception of Op Art, a genre of visual art which applies the effects of high-contrast and geometric patterns to create the illusion of movement, depth, or other visual effects. Based on eye-tracking evidence, this paper explores the importance of involuntary oculomotor activity in the visual perception of illusions in Op-Art, and emphasizes the active role of the visual system in illusory perception, providing a trans-disciplinary insight into how science and art interact in affecting the viewer’s experience.File | Dimensione | Formato | |
---|---|---|---|
Wierzbowska_Amelia.pdf
Accesso riservato
Dimensione
1.53 MB
Formato
Adobe PDF
|
1.53 MB | Adobe PDF |
The text of this website © Università degli studi di Padova. Full Text are published under a non-exclusive license. Metadata are under a CC0 License
https://hdl.handle.net/20.500.12608/86803