This thesis analyzes the creative revolution introduced by Bill Bernbach in the field of advertising, placing it within its historical context and evaluating its lasting impact on modern advertising language. Starting in the 1950s—a period dominated by a rational and strongly sales-oriented approach—Bernbach demonstrated that a strong, honest, and creative idea is more effective than a simple sales strategy. His revolution transformed advertising into a true form of communication and creativity, using irony as a tool of persuasion. The thesis also highlights how his vision continues to influence contemporary advertising, turning it into a form of cultural storytelling rather than purely commercial messaging.
Questa tesi analizza la rivoluzione creativa introdotta da Bill Bernbach nel campo della pubblicità, contestualizzandola storicamente e valutandone l’impatto duraturo sul linguaggio pubblicitario moderno. A partire dagli anni ’50, periodo dominato da un approccio razionale e fortemente orientato alla vendita, Bernbach ha dimostrato che un’idea forte, onesta e creativa è più efficace di una semplice strategia di vendita. La sua rivoluzione ha trasformato la pubblicità in una vera forma di comunicazione e creatività, con l’ironia come strumento di persuasione. La tesi evidenzia inoltre come il suo pensiero sia presente ancora nelle pubblicità contemporanee, trasformando la pubblicità in una forma di narrazione culturale e non più solo commerciale.
Il potere di parole e immagini: l’arte pubblicitaria di Bill Bernbach
LEVISSE, CAROLINE
2024/2025
Abstract
This thesis analyzes the creative revolution introduced by Bill Bernbach in the field of advertising, placing it within its historical context and evaluating its lasting impact on modern advertising language. Starting in the 1950s—a period dominated by a rational and strongly sales-oriented approach—Bernbach demonstrated that a strong, honest, and creative idea is more effective than a simple sales strategy. His revolution transformed advertising into a true form of communication and creativity, using irony as a tool of persuasion. The thesis also highlights how his vision continues to influence contemporary advertising, turning it into a form of cultural storytelling rather than purely commercial messaging.| File | Dimensione | Formato | |
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https://hdl.handle.net/20.500.12608/87835