By comparing James Hogg’s The Private Memoirs and Confessions of a Justified Sinner and Oscar Wilde’s The Picture of Dorian Gray, this paper investigates what a confrontation between the two reveals about the theme of duality. Both novels depict protagonists split between outward identity and inner corruption: Hogg’s Robert Wringhim is torn between religious fanaticism and suppressed moral decay, while Wilde’s Dorian Gray preserves an image of eternal beauty as his portrait bears the marks of his moral degradation. The exploration of duality in these works sheds light not only on individual psychological conflict, but also on the broader social and ideological tensions of their time, from Calvinist predestination in Hogg to Wilde’s critique of aestheticism and Victorian morality. This comparison demonstrates that duality is not sustainable: the refusal to reconcile opposing facets of the self leads inevitably to disintegration, madness, and moral collapse.
Attraverso il confronto tra The Private Memoirs and Confessions of a Justified Sinner di James Hogg e The Picture of Dorian Gray di Oscar Wilde, questo elaborato analizza cosa possiamo imparare sul tema della dualità. Entrambi i romanzi presentano protagonisti divisi tra un’identità pubblica e una corruzione interiore: Robert Wringhim, in Hogg, oscilla tra un fanatismo religioso estremo e una decadenza morale latente, mentre Dorian Gray, in Wilde, mantiene un aspetto di eterna giovinezza mentre il ritratto svela la sua progressiva degradazione etica. L’esplorazione della dualità in queste opere illumina non solo il conflitto interiore dei singoli personaggi, ma anche le tensioni culturali e ideologiche più ampie del loro tempo: dal determinismo calvinista criticato da Hogg alla denuncia dell’estetismo e dell’ipocrisia vittoriana in Wilde. Il confronto tra i due testi mostra come la dualità sia intrinsecamente instabile: il tentativo di separare e non riconciliare le diverse dimensioni del sé porta inevitabilmente alla disgregazione psicologica, alla follia e al collasso morale.
The Theme of Duality in James Hogg’s "The Private Memoirs and Confessions of a Justified Sinner" and Oscar Wilde’s "The Picture of Dorian Gray".
SPERANZA, SILVIA
2024/2025
Abstract
By comparing James Hogg’s The Private Memoirs and Confessions of a Justified Sinner and Oscar Wilde’s The Picture of Dorian Gray, this paper investigates what a confrontation between the two reveals about the theme of duality. Both novels depict protagonists split between outward identity and inner corruption: Hogg’s Robert Wringhim is torn between religious fanaticism and suppressed moral decay, while Wilde’s Dorian Gray preserves an image of eternal beauty as his portrait bears the marks of his moral degradation. The exploration of duality in these works sheds light not only on individual psychological conflict, but also on the broader social and ideological tensions of their time, from Calvinist predestination in Hogg to Wilde’s critique of aestheticism and Victorian morality. This comparison demonstrates that duality is not sustainable: the refusal to reconcile opposing facets of the self leads inevitably to disintegration, madness, and moral collapse.| File | Dimensione | Formato | |
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https://hdl.handle.net/20.500.12608/95313