The present research aims to shed light on the very peculiar poetic evolution of Paul Celan. Starting from the observation of a clear change in the very way in which he conceives the purposes of his being a poet, a traversal of the major philosophical elaborations that influenced this change, and in general his entire poetic production, is presented. Firstly, it is proposed to retrace, by establishing the fundamental points, Theodor Adorno's critique of culture, especially in the points in which it produces reflections on art, and more specifically on poetry. Secondly, it briefly presents the conception of language in Martin Heidegger, the function of art and more generally of poetry as an alternative access route to the truth of being. Finally, in the concluding part of the present research an analysis of the points touched upon so far, made operational in the living poetry of Paul Celan, is proposed.
La presente ricerca mira a fare luce sulla del tutto peculiare evoluzione poetica di Paul Celan. A partire dalla constatazione di un chiaro mutamento del modo stesso in cui egli concepisce le finalità del suo essere poeta, si presenta un attraversamento delle maggiori elaborazioni filosofiche che influenzarono questo mutamento, e in generale l'intera sua produzione poetica. in primo luogo, ci si propone di ripercorrere, fissando i punti fondamentali, la critica della cultura di Theodor Adorno, soprattutto nei punti in cui questa produce riflessioni sull'arte, e più nello specifico sulla poesia. In secondo luogo, si presenta in breve la concezione del linguaggio in Martin Heidegger, la funzione dell'arte e più in generale della poesia come via d'accesso alternativa alla verità dell'essere. Infine, nella parte conclusiva della presente ricerca si propone un'analisi dei punti finora toccati, resi operativi nella poesia viva di Paul Celan.
La svolta del respiro. Società, linguaggio e poesia nella costellazione Adorno-Heidegger-Celan
CAPPUZZO, FRANCESCO
2024/2025
Abstract
The present research aims to shed light on the very peculiar poetic evolution of Paul Celan. Starting from the observation of a clear change in the very way in which he conceives the purposes of his being a poet, a traversal of the major philosophical elaborations that influenced this change, and in general his entire poetic production, is presented. Firstly, it is proposed to retrace, by establishing the fundamental points, Theodor Adorno's critique of culture, especially in the points in which it produces reflections on art, and more specifically on poetry. Secondly, it briefly presents the conception of language in Martin Heidegger, the function of art and more generally of poetry as an alternative access route to the truth of being. Finally, in the concluding part of the present research an analysis of the points touched upon so far, made operational in the living poetry of Paul Celan, is proposed.| File | Dimensione | Formato | |
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https://hdl.handle.net/20.500.12608/87843