Sfoglia per Relatore
The Body; or, A Contemporary Prometheus: a Posthumanist Reading of Mary Shelley's and Hanif Kureishi's Works
2020/2021 Ferrarini, Luca
British Women Writers and the First World War
2022/2023 ZUCCOLLO, VERONICA
“Can I trust the narrator?” A narrative analysis of some novels by Wilkie Collins and H. G Wells
2023/2024 MARSILIO, RICCARDO
Coping with Trauma and Loss in Ian McEwan’s Novels The Cement Garden and The Child in Time
2021/2022 CECCHIN, VALERIA
Crime and Justice in the Victorian Era: The Case of Oscar Wilde
2022/2023 COCCHIO, ANNA
Dismantling Gender Expectations in Selected Novels by Agatha Christie
2021/2022 BORDIN, ANNA
Dystopia or Satire? Reading Anthony Burgess' A Clockwork Orange
2022/2023 ZANCO, LUCREZIA
Elizabeth Bowen: the "Forgotten" One among Modernist Writers
2020/2021 BELLARO, ANNA
Elizabeth Bowen’s Gothic Modernism in The Last September
2022/2023 ANDRIGHETTO, MARTA
Elizabeth Siddal: a Complex Muse
2020/2021 Boccato, Francesca
Every human life is worth the same, and worth saving.": Ethical and Psychological Issues in the Harry Potter Series
2021/2022 DE PAULI, REBECCA
Extremely Violent, Shockingly Painful, Strangely Tender: The Theatre of Sarah Kane
2022/2023 MASTINU, GIANCARLO
Female identity in the Victorian Age: Transgression and the Gothic in "Carmilla"
2021/2022 BRUSCHI, CAMILLA
Femmes Fatales as Mythological Creatures in Romantic and Victorian Poetry
2022/2023 D'AGOSTINI, ALESSIA
Forced Aboriginal child removal in Australia: Stolen Generations and stolen identities
2020/2021 ALBIERO, ELISA
Harry Potter and the Goblet of Fire: a focus on international relations
2020/2021 RUIU, GIOVANNA
Imperial Anxieties in Victorian Detective Fiction: the “Case” of India
2021/2022 METTIFOGO, FRANCESCO
Intertwining Gothic, Ireland, and Biography in Bram Stoker's The Snake's Pass
2020/2021 Berti, Graziella
Ireland in Modern Times: Belonging and Rejection in Joyce's “The Dead”
2022/2023 FRIGO, LUCIA
Joseph Conrad and Chinua Achebe: a representation of Africa in a postcolonial context
2020/2021 BIZZARO, DIANA
| Tipologia | Anno | Titolo | Titolo inglese | Autore | File |
|---|---|---|---|---|---|
| Lauree magistrali | 2020 | The Body; or, A Contemporary Prometheus: a Posthumanist Reading of Mary Shelley's and Hanif Kureishi's Works | - | Ferrarini, Luca | |
| Lauree magistrali | 2022 | British Women Writers and the First World War | British Women Writers and the First World War | ZUCCOLLO, VERONICA | |
| Lauree magistrali | 2023 | “Can I trust the narrator?” A narrative analysis of some novels by Wilkie Collins and H. G Wells | “Can I trust the narrator?” A narrative analysis of some novels by Wilkie Collins and H. G Wells | MARSILIO, RICCARDO | |
| Lauree triennali | 2021 | Coping with Trauma and Loss in Ian McEwan’s Novels The Cement Garden and The Child in Time | Coping with Trauma and Loss in Ian McEwan’s Novels The Cement Garden and The Child in Time | CECCHIN, VALERIA | |
| Lauree triennali | 2022 | Crime and Justice in the Victorian Era: The Case of Oscar Wilde | Crime and Justice in the Victorian Era: The Case of Oscar Wilde | COCCHIO, ANNA | |
| Lauree triennali | 2021 | Dismantling Gender Expectations in Selected Novels by Agatha Christie | Dismantling Gender Expectations in Selected Novels by Agatha Christie | BORDIN, ANNA | |
| Lauree triennali | 2022 | Dystopia or Satire? Reading Anthony Burgess' A Clockwork Orange | Dystopia or Satire? Reading Anthony Burgess' A Clockwork Orange | ZANCO, LUCREZIA | |
| Lauree triennali | 2020 | Elizabeth Bowen: the "Forgotten" One among Modernist Writers | Elizabeth Bowen: the "Forgotten" One among Modernist Writers | BELLARO, ANNA | |
| Lauree magistrali | 2022 | Elizabeth Bowen’s Gothic Modernism in The Last September | Elizabeth Bowen’s Gothic Modernism in The Last September | ANDRIGHETTO, MARTA | |
| Lauree magistrali | 2020 | Elizabeth Siddal: a Complex Muse | - | Boccato, Francesca | |
| Lauree triennali | 2021 | Every human life is worth the same, and worth saving.": Ethical and Psychological Issues in the Harry Potter Series | "Every human life is worth the same, and worth saving.": Ethical and Psychological Issues in the Harry Potter Series | DE PAULI, REBECCA | |
| Lauree magistrali | 2022 | Extremely Violent, Shockingly Painful, Strangely Tender: The Theatre of Sarah Kane | Extremely Violent, Shockingly Painful, Strangely Tender: The Theatre of Sarah Kane | MASTINU, GIANCARLO | |
| Lauree triennali | 2021 | Female identity in the Victorian Age: Transgression and the Gothic in "Carmilla" | Female identity in the Victorian Age: Transgression and the Gothic in "Carmilla" | BRUSCHI, CAMILLA | |
| Lauree triennali | 2022 | Femmes Fatales as Mythological Creatures in Romantic and Victorian Poetry | Femmes Fatales as Mythological Creatures in Romantic and Victorian Poetry | D'AGOSTINI, ALESSIA | |
| Lauree triennali | 2020 | Forced Aboriginal child removal in Australia: Stolen Generations and stolen identities | Forced Aboriginal child removal in Australia: Stolen Generations and stolen identities | ALBIERO, ELISA | |
| Lauree magistrali | 2020 | Harry Potter and the Goblet of Fire: a focus on international relations | Harry Potter and the Goblet of Fire: a focus on international relations | RUIU, GIOVANNA | |
| Lauree magistrali | 2021 | Imperial Anxieties in Victorian Detective Fiction: the “Case” of India | Imperial Anxieties in Victorian Detective Fiction: the “Case” of India | METTIFOGO, FRANCESCO | |
| Lauree magistrali | 2020 | Intertwining Gothic, Ireland, and Biography in Bram Stoker's The Snake's Pass | - | Berti, Graziella | |
| Lauree triennali | 2022 | Ireland in Modern Times: Belonging and Rejection in Joyce's “The Dead” | Ireland in Modern Times: Belonging and Rejection in Joyce's “The Dead” | FRIGO, LUCIA | |
| Lauree triennali | 2020 | Joseph Conrad and Chinua Achebe: a representation of Africa in a postcolonial context | Joseph Conrad and Chinua Achebe: a representation of Africa in a postcolonial context | BIZZARO, DIANA |
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