Sfoglia per Relatore
"Birdsong in a Time of Silence": The New Nature Writing in Britain and Ireland
2023/2024 BRUNACCI, SARA
The Body; or, A Contemporary Prometheus: a Posthumanist Reading of Mary Shelley's and Hanif Kureishi's Works
2020/2021 Ferrarini, Luca
British Women Writers and the First World War
2022/2023 ZUCCOLLO, VERONICA
“But He says you play so well!” The Role of Music and Emotions in the 2005 Pride and Prejudice Soundtrack
2024/2025 LA ROSA, MARIA CHIARA
“Can I trust the narrator?” A narrative analysis of some novels by Wilkie Collins and H. G Wells
2023/2024 MARSILIO, RICCARDO
Content and Controlled: Pleasure, Consent and Rebellion in Aldous Huxley’s Brave New World
2024/2025 FURLANI, ANNA
Controversial Muses and/or Artists: Christina Rossetti’s "Monna Innominata"
2024/2025 MOLINARO, CATERINA
Coping with Trauma and Loss in Ian McEwan’s Novels The Cement Garden and The Child in Time
2021/2022 CECCHIN, VALERIA
Crime and Justice in the Victorian Era: The Case of Oscar Wilde
2022/2023 COCCHIO, ANNA
Degeneration and Fallen Women in Late-Victorian Theatre
2024/2025 PIACENTINO, GIONA
Dismantling Gender Expectations in Selected Novels by Agatha Christie
2021/2022 BORDIN, ANNA
Disrupting Victorian Ideals: Body, Transgression and Femininity in the Works of Christina Rossetti and Lewis Carroll
2023/2024 TAMBURRO, SARA
Dystopia or Satire? Reading Anthony Burgess' A Clockwork Orange
2022/2023 ZANCO, LUCREZIA
Echoes of Orlando: Virginia Woolf in Transgender, Queer, and Transfeminist Studies
2025/2026 RAIMONDO, SAMUELE
Elizabeth Bowen: the "Forgotten" One among Modernist Writers
2020/2021 BELLARO, ANNA
Elizabeth Bowen’s Gothic Modernism in The Last September
2022/2023 ANDRIGHETTO, MARTA
Elizabeth Siddal: a Complex Muse
2020/2021 Boccato, Francesca
Every human life is worth the same, and worth saving.": Ethical and Psychological Issues in the Harry Potter Series
2021/2022 DE PAULI, REBECCA
Extinction, Regeneration, and Absolute Doom: H.G. Wells's Visions of Catastrophe and War
2024/2025 SANNA, SILVIA
Extremely Violent, Shockingly Painful, Strangely Tender: The Theatre of Sarah Kane
2022/2023 MASTINU, GIANCARLO
| Tipologia | Anno | Titolo | Titolo inglese | Autore | File |
|---|---|---|---|---|---|
| Lauree triennali | 2023 | "Birdsong in a Time of Silence": The New Nature Writing in Britain and Ireland | "Birdsong in a Time of Silence": The New Nature Writing in Britain and Ireland | BRUNACCI, SARA | |
| Lauree magistrali | 2020 | The Body; or, A Contemporary Prometheus: a Posthumanist Reading of Mary Shelley's and Hanif Kureishi's Works | - | Ferrarini, Luca | |
| Lauree magistrali | 2022 | British Women Writers and the First World War | British Women Writers and the First World War | ZUCCOLLO, VERONICA | |
| Lauree triennali | 2024 | “But He says you play so well!” The Role of Music and Emotions in the 2005 Pride and Prejudice Soundtrack | “But He says you play so well!” The Role of Music and Emotions in the 2005 Pride and Prejudice Soundtrack | LA ROSA, MARIA CHIARA | |
| Lauree magistrali | 2023 | “Can I trust the narrator?” A narrative analysis of some novels by Wilkie Collins and H. G Wells | “Can I trust the narrator?” A narrative analysis of some novels by Wilkie Collins and H. G Wells | MARSILIO, RICCARDO | |
| Lauree magistrali | 2024 | Content and Controlled: Pleasure, Consent and Rebellion in Aldous Huxley’s Brave New World | Content and Controlled: Pleasure, Consent and Rebellion in Aldous Huxley’s Brave New World | FURLANI, ANNA | |
| Lauree triennali | 2024 | Controversial Muses and/or Artists: Christina Rossetti’s "Monna Innominata" | Controversial Muses and/or Artists: Christina Rossetti’s "Monna Innominata" | MOLINARO, CATERINA | |
| Lauree triennali | 2021 | Coping with Trauma and Loss in Ian McEwan’s Novels The Cement Garden and The Child in Time | Coping with Trauma and Loss in Ian McEwan’s Novels The Cement Garden and The Child in Time | CECCHIN, VALERIA | |
| Lauree triennali | 2022 | Crime and Justice in the Victorian Era: The Case of Oscar Wilde | Crime and Justice in the Victorian Era: The Case of Oscar Wilde | COCCHIO, ANNA | |
| Lauree triennali | 2024 | Degeneration and Fallen Women in Late-Victorian Theatre | Degeneration and Fallen Women in Late-Victorian Theatre | PIACENTINO, GIONA | |
| Lauree triennali | 2021 | Dismantling Gender Expectations in Selected Novels by Agatha Christie | Dismantling Gender Expectations in Selected Novels by Agatha Christie | BORDIN, ANNA | |
| Lauree triennali | 2023 | Disrupting Victorian Ideals: Body, Transgression and Femininity in the Works of Christina Rossetti and Lewis Carroll | Disrupting Victorian Ideals: Body, Transgression and Femininity in the Works of Christina Rossetti and Lewis Carroll | TAMBURRO, SARA | |
| Lauree triennali | 2022 | Dystopia or Satire? Reading Anthony Burgess' A Clockwork Orange | Dystopia or Satire? Reading Anthony Burgess' A Clockwork Orange | ZANCO, LUCREZIA | |
| Lauree triennali | 2025 | Echoes of Orlando: Virginia Woolf in Transgender, Queer, and Transfeminist Studies | Echoes of Orlando: Virginia Woolf in Transgender, Queer, and Transfeminist Studies | RAIMONDO, SAMUELE | |
| Lauree triennali | 2020 | Elizabeth Bowen: the "Forgotten" One among Modernist Writers | Elizabeth Bowen: the "Forgotten" One among Modernist Writers | BELLARO, ANNA | |
| Lauree magistrali | 2022 | Elizabeth Bowen’s Gothic Modernism in The Last September | Elizabeth Bowen’s Gothic Modernism in The Last September | ANDRIGHETTO, MARTA | |
| Lauree magistrali | 2020 | Elizabeth Siddal: a Complex Muse | - | Boccato, Francesca | |
| Lauree triennali | 2021 | Every human life is worth the same, and worth saving.": Ethical and Psychological Issues in the Harry Potter Series | "Every human life is worth the same, and worth saving.": Ethical and Psychological Issues in the Harry Potter Series | DE PAULI, REBECCA | |
| Lauree magistrali | 2024 | Extinction, Regeneration, and Absolute Doom: H.G. Wells's Visions of Catastrophe and War | Extinction, Regeneration, and Absolute Doom: H.G. Wells's Visions of Catastrophe and War | SANNA, SILVIA | |
| Lauree magistrali | 2022 | Extremely Violent, Shockingly Painful, Strangely Tender: The Theatre of Sarah Kane | Extremely Violent, Shockingly Painful, Strangely Tender: The Theatre of Sarah Kane | MASTINU, GIANCARLO |
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